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Shedding
new light on
familiar landscapes
When was the last time you walked down the street and actually looked
at your surroundings? Shops, houses, signposts, trees are more often
than not just a backdrop to our daily routine, while characters
and events form the nourishment on which our primary senses and
thought processes feed.
For
the scenery to become a character in its own right it must join
the drama, and this is exactly what you will see if you visit the
Burslem School of Art in the next couple of weeks.
Constructed
Spaces by Mark Wood describes itself as a series of visual
essays based on the urban landscape of Stoke-on-Trent and
Newcastle. It combines photographic reportage with digital
composition to offer up new vistas out of familiar scenes,
all the time causing you to question your own supposed knowledge
of your environment.
It intrigues, fantasises, tantalises and disorientates. Each picture
is explained as a composite photograph, and as such you will see
buildings and other landmarks in various stages of compression,
repetition, reversal and relocation, although sometimes the tricky
thing is being able to spot exactly what it is about the image that
is the subject of the manipulation.
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S
j
'Keep
the Home Fires Burning at first appears as a row of average
local shops in an average residential street. But you know it is
unreal. When you look closer you will see the same car mirrored
on the opposite side of the scene. Or the same upstairs window with
lamp, same treatment as the car but different coloured exterior
paintwork.
Constructed
Spaces is awash with this kind of visual trickery, but then that
is partly the point: much of our daily backdrop is homogeneous to
the point of its familiarity being generic rather than specific.
Home
(development) and Home (estate) are similar in
that they appear, like some bizarrely proportioned model diorama,
impossibly lit and arranged in perfect symmetry, normal but surreal.
They are metaphors for the places where we live.
Constructed Spaces works on many levels. Those merely curious to
pick out local landmarks will enjoy scouring the re-mixed town centre-scapes.
Those whose business it is to construct and design our urban environment
will find questions arise out of the challenge of a new and fantastic
perspective. And those whose eyes seek mystery from the mundane
will truly relish it.
Gabriel
Gregory
for the Sunday Sentinel
8th July 2001
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